2024 saw the long-awaited return of beloved Brighton duo Rizzle Kicks with their single Javelin. Almost a decade ago, Jordan Stephens and Harley Alexander-Sule stepped back from Rizzle Kicks due to struggles with addiction and mental health, leaving many fans wondering when—or if—the pair would return. Now, 12 years after the release of their second studio album, Roaring 20s, Rizzle Kicks are officially “fucking back” with their third studio album, Competition is for Losers!
Competition is for Losers is a 14-track delight to the senses, pulsing with infectious energy and Rizzle Kicks’ signature brass instrumentals—making you want to get up and dance. The album kicks off with Bad Tattoo, drawing listeners in with an amalgamation of dreamy vocals, a punchy rap verse, and ethereal production that sets the tone for what’s to come. It’s followed by Javelin, the duo’s first single upon their return, a youthful anthem with a rebellious spirit, urging us to let go of our worries and actually enjoy life.
Drums and strings swell in harmony, building emotion and grandeur before leading into the infectious beat of New Sport. With honeyed vocals and raw lyrics about struggling with love and relationships, the track brings a different energy to the record than the previous two. It’s no surprise the duo chose it as the album’s third single.
With Emily Phillips joining Harley on vocals, Everything’s Aligned takes a more stripped-back approach. Reflecting on the past and opening up about personal growth, the song explores the feeling of rebirth—understanding where to put your energy and what’s truly best for you—set against a sweet mix of synths, piano, and swirling drum beats.
On Pleasure & Pain, Stephens and Alexander-Sule, joined by Maverick Sabre, once again lean into their provocative lyricism to confront society’s failings. Simple yet powerful, their call for change plays over soothing synth drones, a sparse snare, and an occasional piano melody. Stephens expresses feelings of powerlessness and frustration at the state of UK society: “The day I saw that building on fire my fucking heart broke” references the Grenfell Tower fire in 2017, where neglectful construction led to the deaths of more than 70 people. Later in the track, Jordan addresses the treatment of women—referencing Caroline Flack, who was mocked online before her suicide in 2020—and the racism they’ve experienced, even from their own fans earlier in their careers. It’s a weighty but important song, one that grows more impactful with each listen, exemplifying Rizzle Kicks’ unflinching political voice and touching artistry.
"Good Luck" is summed up by one lyric: “We’re all big kids in a full-grown body.” The song explores the weight of carrying your childhood self into adulthood, feeling like you’re not where you expected to be in life. With an undercurrent of nostalgia, it reflects on unfulfilled promises, the hardening reality of growing up, and the realization that life isn’t always as envisioned—all complemented by interesting vocal effects.
The intoxicating synths and playful nature of It’s a Tricky One fit seamlessly within the album. The lyrics, laced with references to bad habits and vices, capture long nights and endless days spent coping through substance use. The intro suggests substances make it easier to have fun and maintain positive energy—though this illusion fades in the later verses. The song acknowledges that self-help is easier said than done, and that self-awareness alone doesn’t bring solace when stress and exhaustion become overwhelming. Yet, it closes on a more hopeful note, recognizing progress. Harley’s chorus exudes a lazy, sun-drenched haze, contrasting against the upbeat synthy instrumental, while Jordan’s second verse reflects on the financial, emotional, and relational impacts of his past cocaine use. He doesn’t glamorize drug use; instead, he lays bare its consequences—exposing how the music industry often enables addiction and how separating himself from toxic circles has allowed him to heal and appreciate life.
In New Energy, Rizzle Kicks fully embrace their new era—both musically and personally. Reflecting on past struggles with depression and being stuck in a negative mindset, Jordan ends his first verse looking ahead to “better days.” With a jazzy instrumental and a heartfelt, optimistic tone, the song offers a glimpse into life in your 30s—showing that, despite everything, their fire still burns bright. Mick Jenkins’ verse adds a grounded 2000s vibe, a playful and dynamic contrast to the track’s otherwise airy feel.
Vice—the final single before the album’s release—was a brilliant choice. The trumpet-adorned chorus hits hard, carrying us on a euphoric journey. Lyrically, the song plays with contradictions: “You get me high, yeah, you’re my vice,” likening someone to an addictive habit, but later stating, “You’re the only one who saves me with your love.” The song suggests that while this person may feel like a vice, they’re actually a far healthier force—bringing joy without the destruction of addiction.
Gumdrops is packed with nostalgia, echoing simpler times with bouncy beats, impeccable flow, and cheeky vocals. No wonder it was chosen as a single—it’s an instant classic.
What’s Your Plans transports listeners to the duo’s experiences in London, highlighting how city life exacerbated their struggles with substance abuse and their efforts to turn things around. The pre-chorus captures the pressure and encouragement to use drugs, reflecting the social circles they were once part of. But far from glorifying addiction, the song (and much of the album) lays bare its negative impacts, making it feel raw and authentic.
Afternoon Tea begins sweetly, with birdsong and soft guitar strums, before diving into a verse packed with pop culture references—from The Matrix to Millie Bobby Brown. Jordan’s flow is razor-sharp, and this track is no exception. North London rapper Lex Amor’s feature is a perfect addition—her mesmerizing verse contrasts beautifully with Jordan’s delivery, bringing a warm, 2000s R&B and soul-inspired feel.
Love & Delight explores falling in love and questioning whether this love is different from what’s come before. With a rhythm that makes it impossible not to move, the song captures the excitement and uncertainty of new emotions. The bridge is a standout moment—coursing through your veins like pure adrenaline. While Show N Prove isn’t listed as a featured artist, their contribution adds an entertaining twist, blending seamlessly into the track.
Undefeated is the perfect closer, bursting with shining trumpets and undeniable vibrancy. The duo goes out with a bang, inviting DJ Premier to add some Geordie flair, injecting a cheekiness that encapsulates the album’s spirit.
It’s safe to say that Rizzle Kicks have knocked it out of the park with Competition is for Losers. Every track feels essential, with no filler, and the album hits all the right notes. Their socially conscious rap style has matured with them, their lyricism remains sharp, and the impactful, thought-provoking verses blend seamlessly with soulful vocals—creating an unmatched listening experience. Whatever comes next for Rizzle Kicks is bound to be spectacular, and I, for one, can’t wait.
Rizzle Kicks will embark on a sold-out UK tour this March, with stops in Manchester, Birmingham, and London, before returning to their hometown for a show at Brighton Dome on May 16th. After selling out their tour, Jordan and Harley announced their biggest show to date—at Castlefield Bowl on July 11th—bringing Rizzle Kicks Summer to the masses! If you missed out on tickets for the March tour, don’t worry—tickets for Castlefield Bowl are available here: See Tickets.
